Faster Tonguing in Two Weeks - with tonebase Coach and Clarinet Lead Heather Roche!

Faster Tonguing In Two Weeks!
In this first two-week intensive of 2025, we’re going to be looking at how to improve the speed of our tongue: something I know a lot of us want to improve! We’re going to use these two weeks to work on tongue placement, speed of air and - perhaps most importantly! - daily metronome work to see if we can increase our tongue speed in just two weeks. We’ll be using one of my favourite tonguing studies, from Reginald Kell’s Staccato Studies in order to track our progress over the next two weeks. And if you haven’t had time to participate in a two-week intensive so far, this will be the perfect one to get you started: all you need is 10-15 minutes a day to see results - so come and join us!
Course Period: January 20th - January 31st - NO SIGN-UP NEEDED!
Take Your Playing to the Next Level with Personalized 90-Day Coaching
If you’re ready to truly elevate your skills, consider taking the next step with tonebase Coaching. Participants in our coaching program get the chance to work one-on-one with Heather over a transformative 90-day period, diving deeper into their technique and artistry. Don’t miss this opportunity to accelerate your progress!
11 replies
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Sounds like fun! So if no sign up is needed, how do we engage with this intensive?
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So I've tried the Kell study, and I can almost get four lines to a 110 beat. However, the same thing happens that always happens - I get "tongue fatigue" and lose speed no matter how lightly I touch the reed. Almost feels like a muscle cramp. I know, it's a muscle (four muscles, actually). In self-defense, I've gotten decent at double and triple tonguing, but that's kind of a workaround. Thoughts, anyone?
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Here I present the first four lines of the Kell exercise @Heather gave us. One is at quarter note = 115 and the other at 120. I think they came out well, but I have a couple of things for which I'd appreciate getting feedback from all of you and from Heather. I have a metronome coming into my earbuds, and I think I kept up pretty well, but it doesn't sound like staccato to me. If I try to make the notes shorter, I rapidly get "tongue fatigue" and cant keep up. I know there are a couple of schools of thought on this - one is to try for shorter notes, and the other is to "fool" the audience by going a bit faster with longer notes that will be percieved as staccato. Bottom line - not that I'm likely ever to play the Corigliano Concerto, but I believe at one spot it has 128 fast staccato notes in a row. How does any Earthling do that? What are your thoughts?